{"id":4015,"date":"2017-08-03T10:00:50","date_gmt":"2017-08-03T08:00:50","guid":{"rendered":"http:\/\/solkes.com\/?p=4015"},"modified":"2020-12-09T11:37:24","modified_gmt":"2020-12-09T09:37:24","slug":"a-traves-del-lente-de-bourgarel","status":"publish","type":"post","link":"https:\/\/solkes.com\/de\/urbana\/2017\/08\/a-traves-del-lente-de-bourgarel\/","title":{"rendered":"A trav\u00e9s del lente de Bourgarel"},"content":{"rendered":"
\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

A<\/span>provechando el marco del a\u00f1o Colombia \u2013 Francia 2017<\/span><\/strong>, lleg\u00f3 a Bogot\u00e1, por primera vez, una exposici\u00f3n original del fot\u00f3grafo, expedicionario, diplom\u00e1tico y coleccionista franc\u00e9s Ernest Bourgarel<\/strong><\/span>.<\/p>\n

 <\/p>\n

Una uni\u00f3n eterna<\/span><\/strong><\/h4>\n

Se enamor\u00f3<\/span><\/strong> de Colombia a finales del siglo XIX.<\/p>\n

Tuvo el privilegio de retratar al pa\u00eds en una \u00e9poca llena de contrastes.<\/p>\n

Por un lado, un panorama de conflicto y pobreza, y por otro, un proceso de modernizaci\u00f3n y riqueza cultural.<\/p>\n

Esta muestra fotogr\u00e1fica, llamada \u201cM\u00e1s all\u00e1 del clich\u00e9\u201d<\/span><\/strong>, se da a conocer gracias al fondo fotogr\u00e1fico de Ernest Bourgarel<\/span><\/strong><\/a> y al Ministerio de Asuntos Extranjeros de Francia.<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

 <\/p>\n

El poder de las fotograf\u00edas<\/span><\/strong><\/p>\n

Las fotograf\u00edas, seg\u00fan el autor, surgen de dos necesidades: la primera, recopilar soporte documental para sus informes diplom\u00e1ticos como instrumento de diagn\u00f3stico de las instituciones extranjeras de poder, y segundo, construir a modo personal una colecci\u00f3n fotogr\u00e1fica sociocultural que destacara el arte en su oficio.<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

En el relato fotogr\u00e1fico se presentan im\u00e1genes provenientes de publicaciones emblem\u00e1ticas como La Revista Ilustrada, El Gr\u00e1fico, el Papel Peri\u00f3dico Ilustrado, El Libro Azul de Colombia<\/span><\/strong> que jugaron un rol determinante en la circulaci\u00f3n de representaciones iconogr\u00e1ficas (Litograf\u00edas, fotolitograf\u00edas, y fotograf\u00edas).<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

As\u00ed mismo, en la consolidaci\u00f3n del poder de la imagen fotogr\u00e1fica, como herramienta narrativa, probatoria, intencional e ideol\u00f3gica, y por ende pol\u00edtica. (De Certeau, L\u2019invention Du quotidienI. Arts de faire, Gallimard 1990.)<\/p>\n

Los representantes de la Asociaci\u00f3n Ernest Bourgarel, Marie Claude Acero Y Charles \u2013Henry Dubail, precisan que El A\u00f1o Colombia – Francia 2017 tiene varios objetivos.<\/p>\n

Objetivos definidos como reforzar las relaciones bilaterales, de actualizar la percepci\u00f3n de ambos pa\u00edses, de fortalecer los intercambios culturales, desarrollar las investigaciones cient\u00edficas y consolidar los lazos entre Francia y Colombia.<\/p>\n

\u201cEste A\u00f1o, est\u00e1 organizado en Francia por el Institut Fran\u00e7ais, la Agencia Cultural del Ministerio de Asuntos Exteriores, y en Colombia por un comit\u00e9 intersectorial compuesto por los ministros de cultura, Relaciones Exteriores, Educaci\u00f3n y Comercio, Industria y Turismo\u201d.\u00a0As\u00ed lo afirm\u00f3 el Comisario General colombiano Fabi\u00e1n Sanabria y la Comisaria francesa Anne Louyot, elegidos para estar al frente de este tema.<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

Con estos eventos culturales, como esta exposici\u00f3n fotogr\u00e1fica, se mostrar\u00e1 otra cara de cada pa\u00eds, menos conocida, m\u00e1s sorprendente para el p\u00fablico.<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

Seg\u00fan Oscar Londo\u00f1o, historiador de arte del Museo de Bogot\u00e1, la curadora Ana Mar\u00eda Cifuentes le apost\u00f3 a esta exposici\u00f3n para abrir nuevos caminos en la investigaci\u00f3n sobre la fotograf\u00eda en Colombia y sus primeros inicios.<\/p>\n

 <\/p>\n

Los resultados<\/span><\/strong><\/h4>\n

Bourgarel teje una narrativa alrededor de esas im\u00e1genes que no solo se centran en fotografiar al ind\u00edgena o al campesino. Son im\u00e1genes que cuentan una historia de sucesos importantes en la \u00e9poca.<\/p>\n

Siendo adem\u00e1s, esta exposici\u00f3n fotogr\u00e1fica, la excusa perfecta para este momento de postconflicto. Lograr situar un poco esas coyunturas sociales, culturales e incluso art\u00edsticas que han pasado siglos atr\u00e1s y que hoy en d\u00eda hacen parte de ese recorrido que estamos viviendo.<\/p>\n

\"\"<\/a>
Jennifer C\u00e1rdenas \u00a9 Solkes<\/figcaption><\/figure>\n

T<\/span>odo aquel que quiera adentrarse en el mundo m\u00e1gico de la fotograf\u00eda y percibir la historia de Colombia desde otra perspectiva, puede visitar el Museo de Bogot\u00e1 en el barrio La Candelaria. \t<\/p>\n","protected":false},"excerpt":{"rendered":"

Aprovechando el marco del a\u00f1o Colombia \u2013 Francia 2017, lleg\u00f3 a Bogot\u00e1, por primera vez, una exposici\u00f3n original del fot\u00f3grafo, expedicionario, diplom\u00e1tico y coleccionista franc\u00e9s Ernest Bourgarel.   Una uni\u00f3n eterna Se enamor\u00f3 de Colombia a finales del siglo XIX. Tuvo el privilegio de retratar al pa\u00eds en una \u00e9poca llena de contrastes. Por un […]<\/p>\n","protected":false},"author":73,"featured_media":4018,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[57],"tags":[1338,59,1339,1340,14],"class_list":["post-4015","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-urbana","tag-bourgarel","tag-colombia","tag-ernest-bourgarel-es","tag-fotografia","tag-francia"],"acf":[],"yoast_head":"\nA trav\u00e9s del lente de Bourgarel - Solkes Magazine<\/title>\n<meta name=\"description\" content=\"Bourgarel teje una narrativa alrededor de im\u00e1genes. 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