{"version":"1.0","provider_name":"Solkes Magazine","provider_url":"https:\/\/solkes.com\/de\/","author_name":"Pedro Elias Escola Bautista","author_url":"https:\/\/solkes.com\/de\/author\/pedro-elias-escola-bautista\/","title":"Musik, um Grenzen zu \u00fcberwinden - Solkes Magazine","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"yaxfAe2xsq\"><a href=\"https:\/\/solkes.com\/de\/eine-spur-hinterlassen\/2021\/11\/musik-um-grenzen-zu-ueberwinden\/\">Musik, um Grenzen zu \u00fcberwinden<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/solkes.com\/de\/eine-spur-hinterlassen\/2021\/11\/musik-um-grenzen-zu-ueberwinden\/embed\/#?secret=yaxfAe2xsq\" width=\"600\" height=\"338\" title=\"&#8222;Musik, um Grenzen zu \u00fcberwinden&#8220; &#8211; Solkes Magazine\" data-secret=\"yaxfAe2xsq\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/solkes.com\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/solkes.com\/wp-content\/uploads\/2021\/11\/musicafronteras-2111_01.jpg","thumbnail_width":996,"thumbnail_height":601,"description":"Nach einer vierzigmin\u00fctigen Wanderung durch verschlungene Pfade, rutschige Steine und das \u00dcberqueren des Orinoco-Flusses in einem Bongo (einem kleinen Holzboot), erreicht der Musiklehrer Jos\u00e9 Guillermo Morales ein venezolanisches indigene Dorf der Ethnie Curripaco. Es ist der am meisten erwartete Moment f\u00fcr die Kinder dieser Gemeinschaft, die an der Grenze von Vichada zu Venezuela liegt. Dort [&hellip;]"}